Though he has become one of the most recognizable musical personas of the 20th century (and now 21st), he endured a rocky early career while his peers - many of whom are generally considered to possess much less talent, and some of whom I’ve never heard of - hurtled to the top of the charts. Even once he had “made it,” so to speak, his constant search for inspiration, new experiences (both in life and artistically) and innovation led to endeavours that were widely criticized and less than successful in commercial terms at the time – though many of these went on to be greatly appreciated in later years.
His rise to fame and critical and artistic success did not bring an easy or simple life, but Bowie is one of those rare artists whose every experience has somehow been channelled into his work, making it all the more powerful and lasting. Despite pressure from managers, record companies and fans, he followed his own creative path (which led him to make some decisions which, according to Spitz, were misguided, but even these were carried out with a panache only Bowie is capable of), wherever it led him.
The author of the book, Marc Spitz, is a well-known music journalist who has worked at Spin and Rolling Stone. His experience and passion for music show through in this detailed, thorough biography. Though he is obviously a fan of Bowie, this unauthorized biography does not pander to tabloid speculation, as many do. Instead, Spitz drew on what he does know: the music. It doesn’t matter which rumours are true. The music speaks for itself. Though the book is loaded with factual information about Bowie’s life, as I progressed through the book what set it apart from other biographies is that it is not a biography of Bowie the man; it is a biography of Bowie’s music. Every new era of Bowie’s life that Spitz includes in the book is intricately tied into the impact it had on Bowie’s work. His song writing technique, the instruments he composed on, the feel of each song, the order in which they appear on the album... all of this is covered in minute detail.
Reading Bowie is like standing at a distance, watching the legend’s life through a window. You’re not drawn into his world intimately, but you still get a damn good view. Of course, for a driven, dedicated artist like Bowie, in many ways this is a truer portrayal of who he is than any other form of biographical account could possibly be – as far as his audience is concerned, the man is his music. And no one makes that more clear than Spitz.