Showing posts with label Literary Fiction. Show all posts
Showing posts with label Literary Fiction. Show all posts

7.19.2015

THE SUNDAY REVIEW | A LITTLE LIFE - HANYA YANAGIHARA


Brace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement—and a great gift for its publisher.

When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.
- Goodreads


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The first thing I need to say is that no matter what I write, my review will not do this book justice. The second thing I need to say is that this book will destroy you. And you will be grateful.

A Little Life is a story of friendship, of loyalty and of finding the strength to face the unimaginable - both good and bad. It begins with four friends, Willem, Jude, Malcolm and JB, who are college grads trying to make their way in New York. The story follows these four (mainly Jude and Willem) through nearly 40 years of their lives - but the story will spend as much time in the past as it does moving forward. Which it must in order for us to understand the gravity of decisions made and trust forged and broken. 

At the centre of this story is Jude St. Francis, a young man whose incredible intellect is housed in person who is so deeply damaged (physically, mentally and emotionally) that even his friends don't know the horrors his past contains.  

Jude is not easy to get to know. It isn't until about halfway through the book that you begin to see him take shape. Yanagihara took her time, she teased out his story one small thread at a time, just enough to keep the story moving and not a millimeter more. But despite her slow, deliberate and purposeful pace, I found that she addressed my questions almost as soon as I'd formed them in my mind. I'd wonder about a particular aspect of a character or the plot, and within half a chapter, she would have started providing answers (or at least discussed the lack thereof). The information she holds back she holds back because there's a better time and place in the story to reveal it, and I learned to trust that she knows what she's doing. 

Next to Jude, the most important character in the book is Willem. In contrast to Jude, who is aggressively private, Willem is open - sunny, even. Though he is promiscuous with women, he is fiercely loyal to his friends - above all to Jude. He is Jude's friend, roommate and protector. The book is formed around these two characters, and their steadfast friendship will serve as a beautiful counterpoint to the immense pain you will discover between the covers of this book.

Though the premise sounds simple - the story of four college friends growing up - it is anything but. This book tackles every shade of human experience and emotion you can imagine, along with a few you probably can't. So don't let the description fool you; this book will shock you. And I suspect that no matter who you are, there is a line, a page, a chapter (maybe even more than one) in this book that will stop you in your tracks and make you feel like Yanagihara wandered into your head and stole your innermost thoughts. As Alan Bennett put it:
“The best moments in reading are when you come across something - a thought, a feeling, a way of looking at things - which you had thought special and particular to you. And now, here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out, and taken yours.” - Alan Bennett, The History Boys
This is an intensely personal book - not only because it deals in the secrets and personal lives of its characters, but because it will become personal to everyone who reads it. If you are human, this book will affect you.

It's also a very long book, and what makes it even more challenging is that, while the writing is a flowing style that would normally have you reading all night, the content won't allow for marathon reading. I found that I couldn't read more than 50 pages (100 tops but that was really hard) at a time. The emotional impact was such that it became physically uncomfortable to keep reading and I had to step out of the book and give myself some respite.

Which leads me into a very important piece of advice: Do not start this book when you're feeling vulnerable or have PMS. It is not that kind of book. It is beautiful and terrifying and you will feel, at times, like you can't take anymore. It will shake you to the core. It will tear out your heart and tap-dance on it with stilettos.  But it will be worth it. Every tear you shed, every desperate attempt to abandon these characters, every time you go back to them because you just have to know what happens - in the end this book is worth it. These characters are worth it. Because they come alive on the page, and you will be as invested in their lives as if they were part of your own family.

I read this book as a buddy read with Julianne from Outlandish Lit, and honestly I don't know if I could have handled it without her! I know it affected her deeply as well. She talks a little bit about her experience with the book in this post

A further word of warning: While I don't want to go into specifics as it's important to let Yanagihara unfold the story as she sees fit, this book tackles deeply upsetting and disturbing topics, and does so in great detail. If you find it difficult to read graphic content, or if you are triggered by the topic of abuse (and its considerable psychological aftermath), proceed with extreme caution!

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Book Title: A Little Life
Author: Hanya Yanagihara
Series: No
Edition: Hardback
Published By: Doubleday
Released: March 10, 2015
Genre: Fiction, Character-Driven
Pages: 720
Date Read: March 26 - April 18, 2015
Rating: 10/10

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4.29.2015

BOOK REVIEW | NOTHING LIKE LOVE - SABRINA RAMNANAN


A sparkling, witty and confident debut from a rising Canadian star whose Trinidadian roots and riotous storytelling heritage inform her completely delightful novel.

It is 1974 in the town of Chance, Trinidad--home to a colourful cast of cane farmers, rum-drinkers, scandal-mongers . . . and a bright 18-year-old schoolgirl named Vimla Narine. After passing her A-levels with extraordinary results and accepting the coveted teaching post at Saraswati Hindu school, Vimla is caught with the village pundit's son, Krishna Govind. At night. Holding hands. By morning, even the village vagrant has heard the news and the Govinds and Narines find themselves at the heart of Chance's most delicious disgrace since a woman chased her cheating husband from the district with a rolling pin.

Very quickly, Vimla's teaching post is rescinded, her mother goes on strike from everything, her father seeks solace in the rum shop and Vimla is confined to her home. While Vimla waits for Krishna to rescue her, Krishna's father exiles his boy to Tobago with a suitcase of Hindu scriptures and a command: Krishna will become a man of God. It is his duty.

Just when Vimla thinks her fate couldn't be worse, her best friend, Minty, brings word that Krishna has become betrothed to the beautiful Chalisa Shankar. And Chalisa wants to meet Vimla. Together, Vimla and Minty devise a scheme to win Krishna back that involves blackmailing a neighbour, conspiring with Chalisa, secret trysts in cane fields--and unearthing surprising truths that could change Vimla's, Krishna's and Chalisa's lives forever.
- Goodreads


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Set in Trinidad in the 1970s, Nothing Like Love seamlessly layers place and time to create a dynamic setting for a passionate love story. The story centres on two young lovers, Vimla and Krishna, who are the very definition of star-crossed.

After the couple are caught sneaking out to the cane fields in the middle of the night, Vimla's reputation is destroyed and Krishna's family set up an arranged marriage for him with a rich, beautiful young woman called Chalisa from a nearby town.

Neither Chalisa nor Krishna want to be married, but as soon as the marriage is set, Krishna is sent to stay with his aunt in Tobago until the details of the wedding can be arranged. Vimla is left behind, not knowing whether Krishna is still in love with her or whether he intends to comply with his family's wishes and marry Chalisa.

As she waits, the town around her (a town called Chance) hums with rumours - not only about her, but about her parents, her neighbours and about Krishna's new fiancee. Chance is a town that runs on gossip, and everyone has secrets. We become privy to all of them, and get to watch in fascination as scandals brew and break on all sides.

Meanwhile Chalisa is straining against her prescribed role and trying to find a way out of the arranged marriage. What she really wants is to pursue her dream of becoming a famous singer and dancer - and maybe even get to be with the man she really cares for.

Though love stories aren't typically my favourite, I really enjoyed this one. I loved how the characters were so colourful. Even the most unlikeable of this cast cannot be faulted for being boring.

I also couldn't get enough of Ramnanan's Trinidad. Her descriptions of the country - its flora and culture - were so lively that at times I could almost smell the flowers and feel the sun on my face. If you're one for literary tourism, this is a book you'll want to pick up and save for a rainy day.

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**Thanks to Random House Canada for providing a review copy of this book in exchange for an honest review!**

Book Title: Nothing Like Love
Author: Sabrina Ramnanan
Series: No
Edition: Hardback
Published By: Doubleday Canada
Released: April 21, 2015
Genre: Fiction, Character-Driven
Pages: 424
Date Read: April 12-25, 2015
Rating: 7/10

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4.26.2015

THE SUNDAY REVIEW | GOD HELP THE CHILD - TONI MORRISON


The new novel from Nobel laureate Toni Morrison.
Spare and unsparing,
God Help the Child is a searing tale about the way childhood trauma shapes and misshapes the life of the adult. At the center: a woman who calls herself Bride, whose stunning blue-black skin is only one element of her beauty, her boldness and confidence, her success in life; but which caused her light-skinned mother to deny her even the simplest forms of love until she told a lie that ruined the life of an innocent woman, a lie whose reverberations refuse to diminish . . . Booker, the man Bride loves and loses, whose core of anger was born in the wake of the childhood murder of his beloved brother . . . Rain, the mysterious white child, who finds in Bride the only person she can talk to about the abuse she's suffered at the hands of her prostitute mother . . . and Sweetness, Bride's mother, who takes a lifetime to understand that "what you do to children matters. And they might never forget." - Goodreads

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There's something special about how Toni Morrison writes. She has a particular skill for writing prose that seems, at first glance, to be very simple. The language she uses isn't complex; her words are short and utilitarian. Her delivery is blunt and to the point. And yet. 

By the time I was halfway through this book I realized that her language wasn't simple, rather it was efficient. Economical. Exactly what was needed to provide maximum impact and not a flowery syllable more. This uncomplicated prose evokes a sense of vulnerability when it comes to her characters that cuts deep and bleeds you dry.

This book isn't long - it's only 178 pages (with wide-spaced text). So it's not a huge commitment and shouldn't take you long to get through. But it will be with you for long after you close its covers and place it back on the shelf with a lingering look. 

The book centres on Bride, the blacker than black daughter of light-skinned parents. Her mother and father both react badly to her dark skin - her father refuses to believe she's his and leaves, her mother avoids any physical contact with Bride. This upbringing leaves her both emotionally stunted, and driven to prove her worth. 

Years later, she is a successful businesswoman with an exotic beauty that draws attention wherever she goes. She is in a relationship with a man she enjoys, but knows very little about - exactly how she likes it. Then one day he dumps her and leaves, giving her no explanation. This is the first in a chain of events that will force her to confront her past and the indelible marks it left on her, and to really consider the shallowness with which she has been living her life.

The chapters swap perspective between Bride, the people in her life - among them her best friend, ex-boyfriend, mother - and a third person omniscient viewpoint that takes over when their stories cross. Through these different perspectives we learn what motivates the choices each makes, how they view Bride (and how she thinks they view her) and how the main characters evolve. 

God Help the Child, while short enough to be devoured in a single sitting, requires more attention than that. Despite Morrison's straightforward style, there are lines and passages that are so poetically evocative that they stand out in sharp relief against her prose and take your breath away. These passages will force you to stop, re-read, and revel in their beauty. 

If you can't tell by now, I'm blown away by this book. It is one of those rare reading experiences that isn't quite comfortable, isn't quite what you expect it to be, and isn't quite a happy story... but it will make you feel privileged to read it. This book may be fictional, but it holds more truth and observes more about human nature than anything you'll find in a work of non-fiction.

Some of my favourite quotes from the book:
"I don't think many people appreciate silence or realize that it is as close to music as you can get." - p. 69

"The moon was a toothless grin and even the stars, seen through the tree limb that had fallen like a throttling arm across the windshield, frightened her. The piece of sky she could glimpse was a dark carpet of gleaming knives pointed at her and aching to be released." - p. 83
"Whether he was lying under her body, hovering above it or holding her in his arms, her blackness thrilled him. Then he was certain that he not only held the night, he owned it, and if the night he held in his arms was not enough, he could always see starlight in her eyes." - p. 133
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**Thanks to Random House Canada for providing a review copy of this book in exchange for an honest review!**

Book Title: God Help the Child
Author: Toni Morrison
Series: No
Edition: Hardback
Published By: Knopf Canada
Released: April 21, 2015
Genre: Fiction, Character-Driven
Pages: 178
Date Read: April 17-21, 2015
Rating: 10/10

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